Tag Archives: new release

Book Review: Silver Sparrow by Tayari Jones

I was immediately hooked with the opening line, “My father, James Witherspoon, is a bigamist.”


James Witherspoon is married to Laverne with a daughter, Chaurisse. He has another wife and daughter of similar age, Dana. This is the daughters story, their loves and their relationship with their father. Dana is well aware of the other family while Chaurisse is not and it makes for some very complicated issues as they grow up not far from one another.


Apart from the themes of complicated families, it weaves in the black woman’s experience during the fifties and sixties contrasting with the teenager’s experience in the eighties. The book is divided into two parts, each told from Dana and Chaurisse point of view. At times, I found that they sounded very similar and perhaps being half – sisters, that was the point. But I had to remind myself who was narrating. I enjoyed the characters of the mothers as well as James who despite what he’s done is portrayed as well as you’d expect from a daughter’s point of view. It was interesting how each girl viewed their father and how the perspective changed the more they found out about him. It was a nice revelation about his character.

 Dana’s mother refused to move on with her life preferring snippets of James’s time and I didn’t quite buy this aspect. Yet the premise that she was married to James, also give an insight into her character and her motivations. 


It was a very easy read, so much so that I finished it within a few days. There were times where I wondered where the tension was, as things ramped up. This one was an enjoyable read, especially during self-isolation and I’m looking forward to reading An American Marriage.

Book Review: Snakes and Ladders by Angela Williams



This is a story which is raw, brutal and honest. Angela Williams memoir could almost be fictional and you wish that it was.

Angela with university and teaching credentials stepped out to cross a road and was hit by a postie’s motor bike. Police took down her name and a statement and came back two days later with a warrant for her arrest. There was no court case, no bail opportunity, no appeal, just straight to a correctional facility in handcuffs in front of her dismayed partner and young son. Why? She’d served time for a crime she committed when she was a drug addicted teenager, thirteen years earlier. Except she’d only served five months of it. She was taken away to serve the rest.

I’d seen an interview with Angela on the ABC News less than a month or so ago where she talked about her book which had just launched. My curiosity peaked. I had to read it.
Angela pulls no punches. The introduction warns the reader what to expect.

Let’s take something from the old me and jump in with both feet. Let’s hold our breath when we need to, and laugh when we need to, cry when we need to, eat doughnuts when we need to. I’m here, in the future, holding your hand. I promise it all turns out okay… I drove myself mad to tell you this story, so you damn well better read it.

And once you start reading you can’t stop because no matter how much we see of the old Angela, the prison system, the cruelty of her upbringing and enter her old world, we know it turns out okay. That’s what kept me going. That and the writing, which is wonderful.

Acrid panic froths across the back of my tongue. A glint of burning light off chrome catches my eye. I lock onto this shred of bright, body frozen in place. Crickets chirp in the bag hanging from my hand.

Learning about the women in the modern-day prison system, how it runs, life as a sex worker and drug addict was astonishing at times to read, yet eye-opening. Her own personal journey gives hope.

I couldn’t stop myself from questioning power imbalances, was filled with rage at small inequalities and awed into silences by big ones. But I keep trying, trusting, writing, thinking.

I couldn’t help comparing this book to the Mars Room which is fictional and was short listed for the Booker 2018. Snakes and Ladders, I think, is so much better.

Book Review: Magnolias don’t Die by A J Collins

This is the sequel to Oleanders are Poisonous, (see my earlier review https://sckarakaltsas.com/2020/03/06/book-review-oleanders-are-poisonous-by-a-j-collins/). I read this one just as quickly.


We skip ahead two years later when Lauren meets her old friend, Harry in a pub where she’s started singing. He convinces her that she has talent enough to make singing a profession and she escapes the sleazy manager and heads off on the road with Harry. There’s one thing she knows and that is, she wants more than friendship from Harry. Of course, it’s not easy as Lauren battles the demons of her past and especially that night on her sixteenth birthday.

This was as pacey as the prequel and my sympathy for Lauren never altered.  I found myself cheering for her hoping she’d put Harry out of his misery, because Harry is a truly likeable guy. She’s grown up a bit more; is gutsy and feisty while finding a way to learn how to forgive and heal. I enjoyed the relationship with Snap too, although he needed more from her than what she was capable of giving. No spoilers.


I’m not sure how you would go reading this one first, I think it would make sense and it is a longer read. But to enhance the reading experience, I’d recommend these books in sequential order. So, buy them both!

Book Review: Oleanders are Poisonous by A J Collins


I don’t normally read a lot of young adult fiction but what I have read is usually quite suitable for adults. Oleanders are Poisonous is one such book.


Lauren, is a young teenage girl who lives in a small country town. She has a close mate, Harry whom she’s known for years. Singing with him takes her mind off her home life where her mother is deteriorating from a debilitating illness. Lauren and her step-father, Samuel struggle to cope until one night on Lauren’s sixteenth birthday, when everything dramatically changes.


This is the first book out of a series of two. Being short, I read it in a few hours and found I couldn’t put it down: reading it on the train, on the escalator and in the dentist waiting room hoping he was running late – he was.


I was hopelessly hooked into this coming of age story, immediately caring so much about Lauren and what was happening to her. How she navigates her feelings and her way in the world had me cheering for her all the way. Collin’s writing is superb and fast-pace. Oleanders are Poisonous is an easy and quick read. 


Now for the sequel, Magnolia’s don’t Die.

Movie Review: Military Wives

Military Wives, inspired by true events was directed by Peter Cattaneo, famed for the film, The Full Monty.

Two women, Kate (Kristin Scott Thomas) and Lisa (Sharon Horgan) are from very different backgrounds with very different views. Kate has lived the life of a military wife for years, is conservative and toes the military line. Lisa on the other hand is relaxed, drinks and likes to have fun with the other wives. With the promotion of her husband, Lisa is forced to undertake a leadership role with Kate, to come up with ideas to occupy everyone while their partners go to Afghanistan for six months. The two disagree about everything and when they start a choir with a group of women with varying singing ability, things get very interesting with very funny results.

But it’s not all humour. The anxiety of worrying about their husbands and partners and wondering who will come back, is well done. It is a well-trodden formula and fairly predictable but what seemed different to me was how deeply moving it was.

What might be commonly known in Britain but little known elsewhere is that there was an initial Military Wives Choir who gained fame in 2011 with a hit song which inspired 75 other military wives’ choirs around the world.

The music is wonderful and while it’s not likely to win any Oscars, it’s a feel-good film. Oh, and a word of warning for some of you … perhaps pack the tissues.

Out in Australia on wide release mid March 2020.

Book Review: Girl, Woman, Other by Bernadine Evaristo

It’s taken a few weeks to find the words to describe how powerful this book is. And even so I probably won’t do it full justice.

Girl, Woman, Other written by Bernadine Evaristo, together with The Testaments by Margaret Attwood, won the Booker Prize in 2019.

This book, set mostly in Britain contains twelve different stories in various timelines about a group of diverse women, most of whom are black. The reader is taken on a journey with each of the women and we learn about them and their lives with an almost brutal honesty.  This book is a social commentary of what it means to be black and a woman in modern Britain and predictably it’s not always pretty.

There’s Grace in 1905 an orphan, Winsome in 1953, a migrant from Barbados, Amma is 1980 who sets up a feminist theatre. Then there’s Carole, the high flyer in 2008 who turns her back on her Nigerian heritage, and Morgan, once known as Megan in 2017 navigating her way to independence.

These are almost stand-alone short stories except that there is a connection which comes together with an incredible last chapter via Penelope who bears the brunt of family secrets in a calamitous way.

The characters grow on the reader quickly because the writing is succinct, poetic yet direct. The absence of regular punctuation such as full stops and capital letters to start sentences doesn’t call attention to itself as the reader gets very used to the easy to read style within a few short pages.

Amma misses her daughter now she’s away at university

not the spiteful snake that slithers out of her tongue to hurt her mother, because in Yazz’s world young people are the only ones with feelings

but she misses the Yazz who stomps about the place

who rushes in as if a hurricane’s just blown into her room –

 

A word of warning: The connection between the many characters can be confusing and a map would have helped on occasion to prompt the memory. But if you read the book quickly, it shouldn’t worry you too much. And it is very easy to read. But my advice is to take it slowly and saviour it as each word earns its place.

This one is an important book to read, enlightening us all about the history of the black women’s experience in Britain.

I simply loved it.

 

 

 

 

 

Movie Review: The Professor and the Madman

Most of us have or have had an Oxford English Dictionary.  The Professor and the Madman relays the fascinating story about how the Oxford Dictionary came to be compiled during the mid-nineteenth century.

Professor James Murray, (played by Mel Gibson) is tasked with the enormous job to edit the floundering English dictionary begun by Oxford University’s Fredrick Furnivall (played by Steve Coogan). Murray is given seven years and seeks help from the public across the Commonwealth by placing notes inside books requesting help with words and their origins.

William Minor, (played by Sean Penn) an ex-soldier having been a surgeon in the American Civil War is in a psychiatrist hospital in England. He’s there because he killed a man who he believed was someone haunting him from his days in the war. He receives a book and rises to the task to provide help to Murray by providing over 10,000 entries.

Because Minor helped save a guard’s life, he is allowed privileges one of which is bringing his books into the Institution. His brilliant mind is astonishing even to Murray who fights hard to get Minor’s work acknowledged against vast opposition by the University. Minor tries to make amends with the murdered man’s wife who is left with six children and a relationship of forgiveness evolves.

Based on fact it is an incredible story of two brilliant minds coming together to accomplish a monumental task in a short amount of time. In further research I found the dictionary actually took seventy years to compile. Astonishing.

Mel Gibson bought the rights to the book, The Surgeon of Crowthorne by Simon Winchester in 1998 and the film was caught up in legal battles over creative differences.

The way mental health was dealt with in the 1800’s was hair raising and was covered very well in the film. Sean Penn was amazing as the anguished and haunted Minor.

The only difficulty I had was in the Scottish accents by Gibson, which was incredibly authentic but so much so that it was hard to understand some of the dialogue. Likewise, I found the same for Penn. This could well have been the quality of the sound in the movie theatre I visited rather than the quality of the sound of the film. Nevertheless, it wasn’t bad enough that I didn’t know what was going on.

It’s a very enjoyable movie and I learnt a lot. For all of you word lovers, check it out and for everyone see it anyway. It opens Feb 20 in Australia.