Author Archives: S.C. Karakaltsas

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About S.C. Karakaltsas

I am a published author of historical fiction and short stories.

The Publishing Merry-go-Round

I had restructured, edited and rewritten my whole book. Spent nights and days thinking about nothing else.

It was time to send it out to traditional publishers.

I researched how to write a pitch or query letter. There are plenty of great ones on line.  I carefully read the submission requirements for each publisher. I tested the waters and sent the first three chapters off to three or four publishers.  Then sent another three or four and so on. So then the waiting began. Most tell you that if they want to read more they’ll get back to you. You may never hear back and, if three months has passed then you know that you will never get a response. That’s just the way it is. It’s nothing personal – it’s just business.

One afternoon I received a phone call from Adam. He rang to let me know that my submission had been received- a nice touch instead of the obligatory email, I thought. He had read my query letter and asked me a few questions about the book. Like a job interview, I answered his questions and well, perhaps earbashed him with my enthusiastic response. He told me that he would refer it to the team for them to read. I hung up the phone in disbelief and excitement. But I think, in truth, I was feeling anxious. Was I truly ready for someone else to read my work? Did I want to hand over my baby to others?

A month later, I received some rejection letters from other big name publishers. Thanks but it’s not what we’re looking for … and so on. It was as I expected.

Then Adam called. “We’re interested,” he said, “but we need to get an evaluation report externally to determine the books saleability. We might need to change the title or structure.” He went on to say that I would need to make an investment to meet the cost of the evaluation feedback. Warning bells rang in my head. Traditional publishers never ask for money. Was Adam a vanity publisher? That is, one who’ll publish your book for a substantial fee. His web page indicated otherwise.

It was my turn to interview him. My years in business enabled me to get some answers. And I wasn’t very satisfied. The whole reason why a traditional publisher is sought after, is for their distribution network. They can get your books into book stores. Yet Adam’s distribution network was very small and mostly in schools. Then, I heard a podcast, warning writers about unscrupulous publishers stinging writers for tens of thousands of dollars. Adam’s company was one of them. I realised that he was not the publisher for me. Which is why it’s so important to research publishers.

It is indeed a hard slog for writers to get a book published by a traditional publisher. It is after all a business for book sellers, distributors, agents and publishers who together must make a living – often taking 90-95% of the takings from a book sale. The author gets the rest.

It was time for me to take stock and consider my options.

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So you think you’ve finished your book

 

editor pic

I was smugly satisfied that my book was done. But was it?

There were nuances in my writing that my beta readers had pointed out; words in my dialogue such as ‘well’ at the beginning of a sentence was one example. I knew I needed help with punctuation – who doesn’t?

I read a lot about editing – copy editing, line editing, developmental editing – these terms were all confusing to me. I’d also heard that a writer should be their own editor. That an editor can change and interfere with the integrity of your story. Ok then, all I needed to do was critically edit my own work and organised for someone to proof read – surely that was enough.

Then I met a lovely lady called Meredith who asked to read my book. Luckily for me she’d been an editor in the past. She gently set me straight and pointed out ways to cut my wordy sentences. Did I really need a whole page to describe something which I’d said earlier in one line? Had I really developed the characters enough? Male dialogue sometimes sounded girly in parts; there were too many adverbs. She opened my eyes to things that only someone with such expertise can do. She could see things that I couldn’t and under her expert guidance I revised and revised. I realised then that I had needed that valuable advice and that my book was far from finished.

After the rewrites I found another lovely lady, Annie, who did a final edit. Like Meredith, she too gave me advice and feedback which all served to make my book the best that it could be.

When I look back at my first drafts, I just can’t imagine what I must have been thinking. If I’d released my book on the world in that state, I would have regretted it.

Writing is a journey especially for someone who is new to it. Increased skill will only come from practice,great feedback, more practice and more feedback. I don’t think I’ve nailed it and maybe I never will, but I’m motivated to continue on the scary path to improvement with many amazing people helping me along the way. I’m in awe of all the incredible editors out there and the painstaking work they do. Everyone needs them.


Yes, I lost the plot.

It was as if I’d taken a lover.I’d spent day and night with it. I thought of little else.
Pride, love and energy caressed each page. That was how I felt when I finished and printed my first draft.

Yet doubts haunted me. Was it good enough to show off yet? Filled with trepidation, I approached five people to read the first draft. I chose people who I knew would give me honest and direct feedback. I wasn’t interested in feeding my ego. I wanted to develop my writing.

Like waiting for exam results I was restless to have their feedback. Days and weeks rolled by as busy lives got in the way. Then one by one they came back. There were pencil notes on grammar, punctuation and sentence structure. Some pointed out flaws that I’d not seen before; changes in point of view; over explaining a point in two or three ways, repeating some of the same words over and over again. These were just a few areas to work on.

Then my good friend Don sat me down and asked, “What do you want your book to be about?” We talked about the plot. What was I writing? Was the plot a series of events pulled together without any cohesion? Yes, I had lost the plot.

I suddenly saw my book in a different light – it was clear what I needed to do. My book and I needed time apart. Fortunately, it was Christmas and the holiday season  made it easier to deal with any seperation anxiety.

Eight weeks later, I opened the file on the computer – there was my book. I’d missed it. I re-read the first chapter, said goodbye and then deleted it. Then, I painstakenly altered, deleted, expanded, tweaked and corrected. Each chapter and every sentence had to earn it’s  place. I had to be ruthless. With that, I changed the whole direction of the book.

You can’t do that to a lover.

How My Writers Group Saved Me.

 

One morning as I went into my local library I saw a sign that said “Writers Group Meeting This Way”. I did a double take. What was this about?

I was struggling. I was half way through writing my novel and still had no idea if I was on the right track. I was lost. I wanted to talk about my writing, to test it and find out if it was any good. I needed help.

I found out that there were three groups operating in my local neighborhood house, each facilitated by a professional writer. Later I discovered that there were groups all over the city. I put my name down and soon found myself walking into a room with eight other people I didn’t know.

I was welcomed and introductions were made. There was man who had written and published a book, five years before and had written several others, yet unpublished. Another, who wrote short stories and had several published. Two women had already written a novel and were onto their second. The facilitator had successfully published a novel and was a qualified teacher at a tertiary level. They had all been writing for a long time and  knew each other well.

It was my turn. I nervously told them I had been writing my novel for three months, had never written before and explained what my novel was about. Had I brought something to read out loud? I nodded – my novel was on my Ipad – luckily I’d brought it.

Then it was down to business. The first writer handed out pages to each of us and began reading it out aloud it was a short story. I glanced around the table and saw that everyone wrote notes on the pages. I hadn’t thought to bring a pen. As the story ended, I wanted to clap. I thought it was wonderful. The writers offered their constructive opinion as the story was critiqued and debated. The facilitator gave her feedback on what could have been done differently to enhance the ending. Corrected punctuation, grammar and feedback scrawled on the pages were  returned to the writer. Then, it was on to the next person whose work was workshopped in the same way.

My nerves began to kick in, as writer after writer read out their work. The standard was high.  My mind whirled with uncertainty . . . I can’t read mine out, it’s terrible . . . what was I thinking? I shouldn’t be here, I thought. Could I slink out during the break and not come back?

Then it was my turn. I took a deep breath, ignored the sweat dripping down my underarms and read the first chapter. When I finished everyone was silent . My relieved smile was returned and words of encouragement, interest and support surrounded me . They liked it!

I took their suggestions home and rewrote the chapter.It’s funny, but eight months later, I deleted that first chapter.

After workshopping my novel for almost 12 months, I can honestly say that the feedback, advice and suggestions challenged me to make my novel, so much better. This group helped me learn how to write and I thank them.

Helpless

The Quest to Find a Murder File.

So what was the next step to investigating the murders? Another friend Katrina, told me about the State Archives and that they are the source for many historical pieces of information.

After countless emails and internet searches I found  the file was at the State Archives of QLD.

“Yes,” the email said, ” We have that murder file. However, you will need to fill out the attached forms to seek permission for access from the QLD police.”

That should be simple, I thought – until I looked at the forms.There were complicated, but  I managed to fill them out,  get my identity verified by my local police station and send them off. This shouldn’t take long.

Wrong.

The file could not be accessed for 100 years. It had only been 65 years – oh dear!

More forms to fill out, until finally the permission came through five months later.

I could view the file at the State Archive of QLD in Brisbane – I had twelve months to do it.

Can’t someone copy it for me? No – the permission meant that I had to fly there and sit in the archives and read over what I needed. I could not copy. I could not  use a dictaphone. But I could take notes.

So I convinced my friend Valerie to come with me. We landed in Brisbane and while she shopped and took in the sights, I locked myself away and read the police investigation of the murders – all under the watchful eye of the archivist.

It took me seven hours. There was a newspaper article about the lead detective in the file – could I copy that? No  – I would need to go the State Library and get a copy from them. My head started to ache – dive into my handbag for pain relief.

The next day, Valerie and I traipsed along to the State Library. We found a room where newspapers were stored on microfiche – how do we find the article?

I said to Valerie, “Let’s leave it. I don’t really need the article.”

But Valerie was persistent and persuasive.

A librarian must have noticed how clueless we looked and asked if she could help. We almost hugged her. She found the article and switched on a massive machine.  Did we have a USB as they don’t provide paper copies?

I was aghast. What would I be doing with a USB? Valerie, in the meantime, dived deep into her handbag and pulled one out. What a life saver! The librarian inserted it into the machine and copied the article for us. It was two minutes to closing time as we scurried our way out of the labyrinth with our prize.

I never did ask Valerie why she happened to have a USB in her handbag.